It’s always dangerous territory when classical Shakespearean plays are adapted in abstract ways. But Erdem Koc writes that putting Macbeth and co in the kitchen has proven to be just the recipe.
Red Stitch Actors Theatre kicks off the year with the play Good People and Mary-Lou Ciampa reviews it.
Australian playwright Joanna Murray-Smith’s latest show has hit the stage in Melbourne for its world premiere. Here’s Mary-Lou Ciampa’s review.
It’s always dangerous territory when classical Shakespearean plays are adapted in abstract ways. But Erdem Koc writes that putting Macbeth and co in the kitchen has proven to be just the recipe.
Red Stitch Actors Theatre kicks off the year with the play Good People and Mary-Lou Ciampa reviews it.
Australian playwright Joanna Murray-Smith’s latest show has hit the stage in Melbourne for its world premiere. Here’s Mary-Lou Ciampa’s review.
In this modern reworking of an Ibsen classic, Simon Stone’s production of The Wild Duck is a shorter affair. But it still packs a punch, writes Mary-Lou Ciampa.
It’s always dangerous territory when classical Shakespearean plays are adapted in abstract ways. But Erdem Koc writes that putting Macbeth and co in the kitchen has proven to be just the recipe.
Red Stitch Actors Theatre kicks off the year with the play Good People and Mary-Lou Ciampa reviews it.
Australian playwright Joanna Murray-Smith’s latest show has hit the stage in Melbourne for its world premiere. Here’s Mary-Lou Ciampa’s review.
A one-man play exploring notions of home, identity and family is part of Melbourne’s biennial, multicultural Big West Festival. Mary-Lou Ciampa reviews the show.
From the professional acting talent to the amazing set, Straightjacket Production’s latest show is dark, intense and bitterly poetic, says Sofia Monkiewicz.
Sarah Green was eight years old when she saw her first musical, Jesus Christ, Superstar. The costumes, the lyrics, the atmosphere — she thought her love was unconditional. Until she met Xanadu the Musical.
